When I grow up, I wanna be Ziggy Stardust.

Fall Out Boy. Brendon Urie. Elvis Costello. Debbie Harry. I can't even get a good drummer for my band!!!

So, Folie a Deux was the record I was expecting for a long time, and I'm pretty sure I wasn't the only one. It is polemical, it is different, it is sweeeeeeeeeeeeeeeet. I've read some reviews, some good ones, some bad ones. This record, as well as its creators, is a good example of love/hate, which is actually very good; indiference it's worse, at least, when someone hates you, you know they think about you even if it's just to swear.

I really like the fact that FOB it's a band people like to talk about, for better or for worse, people remember them.

Folie a Deux it's an awesome record, with a lot of different styles mixed in it, it's the kind of experiment you never regret about. It's the kind of record people talk about. It's the kind of record that makes you mad if you don't have it, and drives you crazy when you have it. I don't know if it's your case, but I have ear-gasms every time I listen to FOB.

A lot of people already made reviews of the record, and I'm not going to be redundant writting probably the same stuff some one else already said, you have the record, you listened it, you know what I'm talking about; it's just heaven for ears. It's just an example of the talent these guys have, but what an example!

Long live the car crash hearts.